All You Need Is Love: The Story of Popular Music

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It is generally assumed that American popular music comes from the coastal regions of Africa; that the slaves brought drums to the United States; that jazz originated, somehow, in New Orleans; that the blues developed in the Mississippi Delta, and later became the cornerstone of everything from rock n roll to ragtime. All of these assumptions are untrue, and this episode with seek to uncover the real story – in Africa, on the edge of the Sahara; in Austria and the Salzkammergut; in the Ozark mountains of Arkansas; in New Orleans and in Texas. featuring Duke Ellington Ginger Baker James Brown LeRoi Jones Lightnin' Hopkins Rufus Thomas The Platters Tina Turner

Thanks to the hit movie, “The Sting”, everyone reckons they know about Ragtime. But do they? This Episode includes the oldest known piece of film (1898) showing what the cakewalk was really like. Also extracts from The Royal Ballet production based on Scott Joplin’s music, “Elite Syncopations”. Also extracts staged by the Houston Grand Opera of Joplin’s only surviving opera, “Treemonisha”. There is also rare early film of Irving Berlin (Alexander’s Ragtime Band) as well as film of Joplin’s birthplace and of the madhouse where he died. Although reference is made to other early ragtime composers, this episode is essentially the story of Scott Joplin – an extraordinary tragedy of failure, frustration, pride, of the black man’s struggle to achieve for himself a proper place in American society. featuring Christies Ethiopian Serenaders Eubie Blake Houston Grand Opera and the music of Scott Joplin Irving Berlin Monica Mason Rudi Blesh Terry Waldo

This episode takes a look at the origins of jazz and challenges the theories that it is a black music form which was created in New Orleans. Featuring contributions and footage from Miles Davis, Duke Ellington, Charlie Mingus and Louis Armstrong.

Exploring the origins of the blues, with contributions and performance recordings by Memphis Slim, Ray Charles, Muddy Waters, Billie Holiday and BB King.

The history of suggestive songs and their vaudeville and music hall beginnings, with artists featured including Judy Garland, Liberace, Mae West, Edith Piaf and Marlene Dietrich.

The story of Tin Pan Alley, where hit records were made to order and the first sightings of the popular music industry emerged. With contributions by Bing Crosby and Perry Como. Starring: Bing Crosby, Perry Como

The story of the musical, an art form that emerged from vaudeville, operetta, burlesque and the British music hall. Featuring a script by Stephen Sondheim.

This episode tells the story of swing. Featuring archive footage and contributions from Frank Sinatra, Bing Crosby, Benny Goodman and Woody Herman.

In the late forties, white record companies labelled commercial black music “race music”. Eventually, Jerry Wexler, then working at Billboard magazine as a reporter, thought of the phrase, “rhythm and blues” and it caught on. Before long, numerous other descriptions appeared – Motown, the Philadelphia Sound, Soul – but all had in common that the music expressed the rising aspirations of the ghetto. Meanwhile, a curious imitation of black gospel appeared called white gospel. And among those who loved the sound were two remarkable men; one a record producer, Sam Phillips, who wanted to create a sound which had the discipline of white gospel but with the abandon of black rhythm and blues; the other was Elvis Presley. featuring Aretha Franklin Bill Haley Bo Diddley Clyde McPhatter Ike and Tina Turner Jerry Wexler Johnnie Ray Pat Boone Stevie Wonder The Lefevres Family The Platters The Supremes Wilson Pickett

Country music was, originally, home-made music. It described the births, marriages and deaths that happened in every community. It celebrated love, just as it bemoaned the ill-fortune that came to every man. It was music with which all felt they could identify. As such, it occupied a unique place in white culture. The music was not manufactured, as in Tin Pan Alley, nor sophisticated, and this episode describes the process by which this change came about. Finally, we will be backstage at the Grand Ole Opry during one of its regular nationwide broadcasts, with a blessing to finish from Grand Ole Gospel Time. featuring Bill Anderson Doug Kershaw Ernest Tubb Jimmie Driftwood Jimmie Rodgers Minnie Pearl Roy Acuff Roy Rogers Tex Ritter Webb Pierce William Ivey and Stars of the Grand Ole Opry

After Nashville had raped American country music, it might seem that the folk traditions this music embodied had been lost. Not so, because these traditions had a purpose other than to entertain. We shall see how folk music used popular melodies to spell out unpopular themes, how during the American War of Independence filthy words were penned against the British Crown, but all to the tune of ‘God Save The King’. The same happened during the American Civil War – different words, depending on whether you were from the North or the South but to the same tune. Song has been used by such as Joan Baez and Bob Dylan, Peter Seeger and Leonard Cohen as a passionate weapon for peace. The effect these singers managed to achieve in the sixties was one of the stronger causes of the American defeat in Vietnam. featuring Arlo Guthrie Bing Crosby Country Joe McDonald James Simmons Joan Baez Leon Rosselson Leonard Cohen Pete Seeger Peter, Paul and Mary The Andrews Sisters Vera Lynn Woody Guthrie

The story of rock n roll begins and ends in Memphis, Tennessee, in the tiny studio of record producer Sam Phillips. He tells of how he discovered Elvis Presley and of the struggle he had to get Presley accepted. It was not the overnight success story that is popularly believed. Before long, however, Presley came to symbolize the spirit of an entire generation. How did this happen, and why? Or was it the product of Sam Phillips’ imagination and Presley’s stage presence? featuring Bill Haley Carl Perkins Chubby Checker Chuck Berry Cliff Richard Conway Twilty Elvis Presley Gene Vincent Jack Good Jerry Lee Lewis Little Richard Lonnie Donegan Pat Boone Sam Phillips Terry Dene Tommy Steele