
Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
1991HereinMovieDirector
1988Private PartsMovieDirector
1985The Answering FurrowMovieas Self · Director · Editor · Director of Photography
1983The Fallen WorldMovieDirector
1980Daughters of ChaosMovieDirector
1978On the Verge of an Image of ChristmasMovieDirector
1977MisconceptionMovieDirector
1975Film Notebook: Part 1 (For Saul)MovieDirector
1975SuperimpositionMovieDirector
1975Film Notebook: Part 2 (Some of Us in the Mechanical Age)MovieDirector
1974ObjectionMovieDirector · Director of Photography · Editor