How can one find “spaces of agency” (bell hooks) in a racist film? How can unseen, unacknowledged labor be rendered visible videographically? And why is a VHS tape of "Gone with the Wind" preferable to all remasterings?
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How can one find “spaces of agency” (bell hooks) in a racist film? How can unseen, unacknowledged labor be rendered visible videographically? And why is a VHS tape of "Gone with the Wind" preferable to all remasterings?
